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A review by Scott Eric Williams

Anatomy of (Collective) Apathy: Blessing Ngobeni’s ‘Enemy of Foe’

A review by Lucienne Bestall

Pretty Vacant: ‘New Romantics’ at Barnard Gallery

Asha Zero, uinderld, 2018. Acrylic on board, 131 x 164 cm
A review by Artthrob

Asha Zero and Peter Clarke at SMAC Gallery

A review by Nolan Stevens

Binary Coded: ‘POSTDIGITAL’ at Kalashnikovv

A review by Kopano Maroga

A Subtle Benediction: Igshaan Adams’ ‘Al Latîf’

Dan Halter, The Revenge of 400 Years is Losing its Baby Teeth, 2018. Baby teeth, Stokie slipper, mat
A review by Artthrob

Dan Halter at WHATIFTHEWORLD

A feature by Artthrob

Spotlight on Investec Cape Town Art Fair 2018

Mary Sibande, Let slip the dogs of war, 2015. Wanas Konst. Photo Mattias Givell
A feature by Artthrob

Nirox Winter Sculpture Exhibition 2018

A review by Isabella Kuijers

Not Blue Enough: Ghada Amer & Reza Farkhondeh’s ‘Love is a Difficult Blue’

Candice Breitz, Love Story, 2018
A review by Artthrob

Candice Breitz at Goodman Gallery

Vivien Kohler, FRGL, 2017. Material One, pigment, spray paint, acrylic and oil, 125 × 125 × 9 cm
A feature by Nolan Stevens

Out The Box: A Profile of Vivien Kohler

A feature by Michael Smith

Art collector scours Joburg for space large enough to house personal African Art collection, and ego

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Richard Mudariki, Grilled, 2014. Chine-colle etching, 34 x 41 cm

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