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Painting

A review by Scott Eric Williams

Methodologies of Creative Practice: ‘Still Life & Life Drawings’ at ISANG

A review by Thuli Gamedze

In the Between: Sam Nhlegethwa’s ‘Waiting’

A feature by Khanya Mashabela

Seeing Gifts and Stolen People: In conversation with Mmakgabo Mapula Helen Sebidi

A review by Ashraf Jamal

AKAA: Reflections on African Art and Sepideh Mehraban’s ‘Cape to Tehran’

A review by Ashraf Jamal

Preeminent Staging: Serge Alain Nitegeka’s ‘Innate Black’

A review by Lucienne Bestall

Another Eden: Ruby Swinney’s ‘Human Nature’

A review by Lucienne Bestall

Thin Black Line: Blake Daniels and Dorothee Kreutzfeldt’s City Without a Sun

A review by Misha Krynauw

Connection in the Age of Connectivity: Dada Khanyisa’s ‘Bamb’iphone’

A review by Kopano Maroga

Material Meditations: Nicholas Hlobo and Cinga Samson’s ‘Umthamo’

A review by Tymon Smith

Beauty and Destruction: Matthew Hindley’s ‘Survey of Risk’

A review by M Thesen Law

Professional Confessional: Banele Khoza’s ‘LOVE’

A review by Chris Thurman

Fleeting Traces: Thierry Oussou’s ‘Before It Is Completely Gone’

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Clive van den Berg, Cyber Erotics, 2009. A two colour lithographic print on BFK Rives, 66 x 52 cm

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