Painting
Student Review: Misheck Masamvu’s ‘Still Still’
Bracketing Realism and Abstraction: Deborah Poynton’s ‘Picnic’
Blood on the leaves and blood on the root: Barthélémy Toguo’s ‘Strange Fruit’
Student Review: Marlene Steyn’s ‘Your Skin Is Not The Best Hiding Place’
Celebration and Speculation: Koloane, Masamvu, and Zvavahera
The Black Woman’s Gaze: Florine Demosthene’s ‘The Burst’
Student Review: Sasha Hartslief’s ‘New Works’
Student Review: Moshekwa Langa’s ‘Ellipses’
Floating in a Mind Map: Moshekwa Langa’s ‘Ellipses’
Anxious Landscapes: Pastoral Abstraction at Everard Read
Dead Men, New Paintings: Zander Blom’s ‘New Paintings’
Nothing more to show!
No more pages to load