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Painting

Kevin Atkinson, Horizon Doing, 1977. Oil on canvas, 167,5 x 244 cm
A review by Lloyd Pollak

The Many Atkinsons: Kevin Atkinson’s ‘Re-opening Plato’s Cave’

A student review by Nicoletta Michaletos

Student Review: Misheck Masamvu’s ‘Still Still’

Deborah Poyton, Lost and Found 2, 2016. Oil on canvas, 230 x 190cm
A review by Lloyd Pollak

Bracketing Realism and Abstraction: Deborah Poynton’s ‘Picnic’

Barthélémy Toguo, Strange Fruit III, 2016. Watercolour on paper, 113 x 100cm
A review by Gontse Mathabathe

Blood on the leaves and blood on the root: Barthélémy Toguo’s ‘Strange Fruit’

A student review by Nicoletta Michaletos

Student Review: Marlene Steyn’s ‘Your Skin Is Not The Best Hiding Place’

David Koloane Rhythm, 2016. Acrylic on canvas
A feature by Khanya Mashabela

Celebration and Speculation: Koloane, Masamvu, and Zvavahera

A review by Thuli Gamedze

The Black Woman’s Gaze: Florine Demosthene’s ‘The Burst’

A student review by Linda Möller

Student Review: Sasha Hartslief’s ‘New Works’

Moshekwa Langa Lilies of the fields (2016). Mixed media on paper, 122 x 162cm
A student review by Charndré Kippie

Student Review: Moshekwa Langa’s ‘Ellipses’

A review by Thuli Gamedze

Floating in a Mind Map: Moshekwa Langa’s ‘Ellipses’

A review by Quanta Gauld

Anxious Landscapes: Pastoral Abstraction at Everard Read

A review by Felix Kawitzky

Dead Men, New Paintings: Zander Blom’s ‘New Paintings’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Nontsikelelo Veleko, Kepi in Bree Street and Nono> from the 'Beauty is in the eye of the Beholder' series. Pigment inks on archival cotton rag paper, Each: 42 x 29 cm

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