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Painting

Meleko Mokgosi Comrades I, 2015. Two panels, oil on canvas; bleach on portrait linen.
A review by Sinazo Chiya

A Comradeship of Stillness: Meleko Mokgosi’s ‘Comrades’

A story by Artthrob

Penny Siopis wins Helgaard Steyn Award for Painting

A review by Thuli Gamedze

The Contradictions of Living in the Past: Lizza Littlewort at 99 Loop

Marlene Steyn, The End is Located Underneath Her Third Armpit (if the muscle is flexed), 2015. Installation view: Commune.1
A review by Anna Stielau

Somewhere between Where’s Wally? and the Kama Sutra: Marlene Steyn’s Interior Worlds

A review by Lloyd Pollak

Colour, Blur, Memory: Kate Gottgens’ ‘Infinite Loop’

A review by Lloyd Pollak

The Light of Revelation: Jan-Henri Booyens’ ‘Whiteout’

A review by Mary Corrigall

Precarious new paintings: Jonah Sack’s Column

A review by Isabella Kuijers

Dreams of love and summer: Portia Zvavahera’s I Can Feel It In My Eyes

A review by Same Mdluli

Painting, digital imagery and text: Jessica Webster’s ‘Murderer’

Portia Zvavahera, I Can Feel It in My Eyes, 2015. Oil-based printing ink and oil bar on canvas, 228 x 160 cm
A story by Artthrob

Between 10and5 | An Interview with Portia Zvavahera

John Murray, UNDO 9, 2014. Acrylic on canvas, 100 x 89,5 cm
A story by Louise McCann

Between10and5 | An Interview with John Murray

Mary Wafer, Untitled, 2015. Oil on canvas, 90 x 78,7cm
A feature by Michael Smith

Violence, malignancy and the continuing past: Mary Wafer chats to Michael Smith about her exhibition...'

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Candice Breitz, Ex Libris South Africa. Cibachrome photograph, 24 x 60 cm

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