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Painting

Ian Grose, Dissimulation 13, 2015. Oil on linen, 168 x 149cm
A review by Lwandile Fikeni

Ian Grose: On Art, materiality and materialism

Themba Shibase, Slightly Off Centre, 2015, installation view
A story by Renée Holleman

Themba Shibase at the National Arts Festival 2015: Slightly Off Centre

A picture collection by Lisa Brice

Lisa Brice in Venice: New Objectivity

Mawande Ka Zenzile, Untitled (Memory), 2015. Cow dung, earth, gesso and oil on canvas, 91 x 150 cm © Copyright 2015, STEVENSON. All rights reserved.
A feature by Nkule Mabaso

The Art of the Possible: Mawande Ka Zenzile

A picture collection by Lisa Brice

Lisa Brice in Venice: Peter Doig

A review by Isabella Kuijers

Hazy Worlds: Alexia Vogel’s ‘Lost in Reverie’

Lisa Brice, Untitled xxxviii, (Well Worn 2), 2015. Ink and gesso on cotton, 122 x 102 cm.
A review by Michael Smith

Wearing Well: Lisa Brice’s ‘Well Worn’

Meleko Mokgosi, Pax Kaffraria: Terra Pericolosa, 2013. Inkjet and charcoal on linen. 5 panels: 84 x 96 inches, 108 x 132 inches, 144 x 84 inches, 108 x 132 inches, 84 x 96 inches. MEM13.001, Jack Shainman Gallery, New York
A story by Artthrob

Meleko Mokgosi at The School, New York

Kerry Chaloner, nowhere 1, 2014. Sulphur and transparent medium on raw canvas, 100 x 75 x 4 cm
A story by Artthrob

The Claims of the Land

A story by

Chad Rossouw

SAS Somerset

Penny Siopis Pinky Pinky series, 2002-2005. Installation of 10 paintings, oil and found objects on canvas
A review by Anna Stielau

Penny Siopis’ Time and Again

A picture collection by Artthrob

Kerry Chaloner in conversation with Matthew Blackman brought to you by BOS Ice Tea

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