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Sculpture

A review by Ashraf Jamal

Consoling Pleasures: Stephané E. Conradie’s ‘Domestic Lives, Nomadic Belongings’

A review by M Thesen Law

Super Spectacle: Ed Young’s ‘HERO’

A review by Misha Krynauw

Unwavering Versatility: Thania Petersen’s ‘IQRA’

A review by

Tim Leibbrandt

Intrinsic Field: Wim Botha’s ‘Heliostat’

A review by Tymon Smith

Imagined Topographies: Gerhard Marx’s ‘Ecstatic Archive’

A review by Lucienne Bestall

Stone Cold: Alfredo Jaar’s ‘Men Who Cannot Cry’

A review by Scott Eric Williams

Methodologies of Creative Practice: ‘Still Life & Life Drawings’ at ISANG

A feature by Ashraf Jamal

Minuments and Moreness: Richard John Forbes

A feature by Khanya Mashabela

Seeing Gifts and Stolen People: In conversation with Mmakgabo Mapula Helen Sebidi

A review by Ashraf Jamal

Preeminent Staging: Serge Alain Nitegeka’s ‘Innate Black’

A review by Siobhan Keam

Compulsive Storytelling: Kemang Wa Lehulere’s ‘not even the departed stay grounded’

A review by Tymon Smith

Distinctive Celebrations: Yinka Shonibare’s ‘Ruins Decorated’

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Design by Blackman Rossouw

Dineo Sheshee Bopape, Chat-Scat. Screenprint on archival cotton rag paper, 66 x 50.5 cm

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