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Sculpture

A feature by

Tim Leibbrandt

Keeping the Blinkers off: an Interview with Haroon Gunn-Salie

A review by Ashraf Jamal

Rewired Materiality: Rowan Smith’s ‘Dead Centre’

A review by Tymon Smith

Immersive Intelligence: Mary Sibande’s ‘A Crescendo Of Ecstasy’

A review by Ashraf Jamal

Masterful Visceral: Lungiswa Gqunta’s ‘Qwitha’

A review by Michael Smith

Surrealism and the Self: Chris Soal’s ‘Orbits of Relating’

A review by Kopano Maroga

Material Meditations: Nicholas Hlobo and Cinga Samson’s ‘Umthamo’

A review by M Thesen Law

Fragments on Belinda Blignaut’s ‘Thrown’

A review by Lucienne Bestall

Repetition Fatigue: Dan Halter’s ‘Patience Can Cook a Stone’

A review by Kopano Maroga

A Subtle Benediction: Igshaan Adams’ ‘Al Latîf’

El Anatsui, Horizon,, 2016. Installation View: Goodman Gallery, Johannesburg
A feature by Tymon Smith

Bringing it Home: Curator Bisi Silva on El Anatsui’s ‘Meyina’

Moshekwa Langa, Overseas II , 2017. Mixed media on paper, Right panel of diptych, 100 x 140 cm
A review by Percy Mabandu

Mining Memories for Meaning: Moshekwa Langa’s ‘Fugitive’

Bronwyn Katz, Wasgoed draad, 2017. Salvaged wire and mattress lining, 133 x 183 x 18cm
A review by Nicoletta Michaletos

Ghost Stories: Bronwyn Katz’s ‘Grondskryf’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Guy Tillim, Tshililo (right) and her friends share a one-roomed apartment in Cape Agulhas, Esselen Street, Hillbrow. Pigment inks on archival cotton rag paper, 42 x 59.4 cm

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