Opinions are like arseholes, everybody's got one. This memorable line delivered … [Read more...] about R-E-S-P-E-C-T: Reflections on the 2024 Investec Cape Town Art Fair
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Tracing Flows: The Fluvial Landscape in Abri de Swardt’s ‘Kammakamma’
‘If the river’s mouth could speak, what would it say?’ This is the question that … [Read more...] about Tracing Flows: The Fluvial Landscape in Abri de Swardt’s ‘Kammakamma’
Asserting Presence: Land and Colonial Histories in Goodman Gallery’s ‘Frameworks’
A dual exhibition, with selected works from David Goldblatt and Kiluanji Kia … [Read more...] about Asserting Presence: Land and Colonial Histories in Goodman Gallery’s ‘Frameworks’
Beyond the White Cube: Art, Football, and Community in ‘Exhibition Match’
In the text, ‘A Conceptual History of Exhibition Making’, writer and curator … [Read more...] about Beyond the White Cube: Art, Football, and Community in ‘Exhibition Match’
What Time Hides Forever in Plain Sight: The Timeliness of Adrian Fortuin
I first viewed Adrian Fortuin’s work during a studio visit in December, while … [Read more...] about What Time Hides Forever in Plain Sight: The Timeliness of Adrian Fortuin
Materiality and Process: Nyakallo Maleke’s ‘Making Sense of The Same Story’
In framing the curatorial approach to Nyakallo Maleke’s solo exhibition, Making … [Read more...] about Materiality and Process: Nyakallo Maleke’s ‘Making Sense of The Same Story’
Black Imagination and Collective Memory: CHURCH at Investec Cape Town Art Fair
Leading up to the 11th edition of the Investec Cape Town Art Fair (16- 18 … [Read more...] about Black Imagination and Collective Memory: CHURCH at Investec Cape Town Art Fair
Generations: An interview with curators Natasha Becker and Amogelang Maledu
Leading up to the 11th edition of the Investec Cape Town Art Fair (16 - 18 … [Read more...] about Generations: An interview with curators Natasha Becker and Amogelang Maledu
Artists Announced: The 2024 South African Pavilion at the 60th La Biennale di Venezia
The South African Pavilion is readying for the 60th International Art … [Read more...] about Artists Announced: The 2024 South African Pavilion at the 60th La Biennale di Venezia
Sumptuous Materiality: Jeanne Gaigher’s ‘group-psyche’
Jeanne Gaigher’s tactile paintings can best be described as sumptuous, festering … [Read more...] about Sumptuous Materiality: Jeanne Gaigher’s ‘group-psyche’
