Goodman Gallery

A feature by Misha Krynauw

Entangled within a world of others: an interview with Gabrielle Goliath

A review by Vusumzi Nkomo

Cartographic Entangle­ments: Nolan Oswald Dennis’s ‘conditions’

A review by Barnabas Ticha Muvhuti

Painting with Words and Brush: Misheck Masamvu’s ‘Talk to me while I’m eating’

A feature by Ashraf Jamal

The Morality of Things: On Kendell Geers

A review by Barnabas Ticha Muvhuti

Essential Work: Jabulani Dhlamini’s ‘the everyday waiting’

A review by Vusumzi Nkomo

Ontological Recuperation: ‘Authenticité’ at Goodman Gallery

A review by Misha Krynauw

A Room with Many Views: ‘A Golden Spike’ at Goodman

A review by Gemma Hart

Tender and Troubling: Brett Charles Seiler’s ‘Closet’

A review by Chad Rossouw

Material, form and narrative: ‘Soft Architectures’ at Goodman

A review by Michael Smith

The Shifting City: Sam Nhlengethwa’s ‘Joburg Selected’

A review by Thuli Gamedze

Away from Zero: Carrie Mae Weems’s ‘Over Time’

A review by Tymon Smith

Necessary Discussions: Sue Williamson’s ‘That particular morning’