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The crisis of the individual: Meshac Gaba’s ‘Citoyen Du Monde’

Meshac Gaba’s series ‘Citoyen Du Monde’ series serves to underscore and … [Read more...] about The crisis of the individual: Meshac Gaba’s ‘Citoyen Du Monde’

Beauty in age: Christiaan Conradie’s ‘Against a Narrow Heart’

'Against a Narrow Heart' is a collection by Christiaan Conradie, a South African … [Read more...] about Beauty in age: Christiaan Conradie’s ‘Against a Narrow Heart’

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A ghost language: Isaac Julien’s ‘Fantôme Créole’

On a recent visit to the Zeitz Mocca I encountered Isaac Julien's diptych still … [Read more...] about A ghost language: Isaac Julien’s ‘Fantôme Créole’

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What we want to hear: Alfredo Jaar’s ‘The Rwanda Project’

The author Don Miguel Ruiz makes the point that we only see what we want to see … [Read more...] about What we want to hear: Alfredo Jaar’s ‘The Rwanda Project’

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Caught in a Boundary: Wim Botha’s ‘The River’

One night, my father came home from a motorcycle trip with the look of despair … [Read more...] about Caught in a Boundary: Wim Botha’s ‘The River’

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Endless Journey: on Senzo Shabangu’s Landscapes

Four lifeless bodies lie on the surface. One is on all fours, either going down … [Read more...] about Endless Journey: on Senzo Shabangu’s Landscapes

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Earth and Self: Michele Mathison’s ‘Over and Over’

Michele Mathison’s ‘Over and Over’ is situated in Whatifitheworld’s main … [Read more...] about Earth and Self: Michele Mathison’s ‘Over and Over’

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Material Frequencies: Paul Maheke’s ‘Vanille Bleu’

Paul Maheke’s ‘Vanille Bleu’ plays with the concept of healing through its use … [Read more...] about Material Frequencies: Paul Maheke’s ‘Vanille Bleu’

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Portfolio 2: Slices of history

ArtThrob regularly releases portfolios, which are collections of our prints, all … [Read more...] about Portfolio 2: Slices of history

Radical (anti)citizenry: Meschac Gaba’s ‘Citoyen du Monde’

How do we reconfigure and reconceive the ‘place’ (or placelessness?) of … [Read more...] about Radical (anti)citizenry: Meschac Gaba’s ‘Citoyen du Monde’

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Mikhael Subotzky, Johnny Fortune, 2004. Pigment inks on archival cotton rag paper, 56 x 78.4 cm

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