I am imbedded in a history of imposed silences, tortured voices, disrupted … [Read more...] about Planted Knowledge: Uriel Orlow’s ‘Theatrum Botanicum’
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Art-Binge: Grad Show Edition 2018 [Wits and Rhodes]
A snazzy roundup of some of the work on display at the graduate exhibitions at … [Read more...] about Art-Binge: Grad Show Edition 2018 [Wits and Rhodes]
Art-Binge: Joburg, November/ December 2018
A snazzy roundup of some of the work on display in Johannesburg during … [Read more...] about Art-Binge: Joburg, November/ December 2018
A Spine Immersed in Water: Ernesto Neto’s ‘One Day We Were All Fish and The Earth’s Belly’
Ernesto Neto’s new Johannesburg exhibition announces itself before it is seen. … [Read more...] about A Spine Immersed in Water: Ernesto Neto’s ‘One Day We Were All Fish and The Earth’s Belly’
Investec Cape Town Art Fair 2019 Announces TOMORROWS/TODAY Artists
Returning to the seventh edition of Investec Cape Town Art Fair, which takes … [Read more...] about Investec Cape Town Art Fair 2019 Announces TOMORROWS/TODAY Artists
In the Between: Sam Nhlegethwa’s ‘Waiting’
Goodman Gallery, Cape Town 11.11 – 08.12.2018 The world is never as vivid … [Read more...] about In the Between: Sam Nhlegethwa’s ‘Waiting’
Art-Binge: Joburg, September/October 2018
A snazzy roundup of some of the work on display in Johannesburg during … [Read more...] about Art-Binge: Joburg, September/October 2018
Living, Breathing Past: ‘Not the Usual Suspects’ at ISANG
All photographs come to us from the past. The photograph, at its most basic, … [Read more...] about Living, Breathing Past: ‘Not the Usual Suspects’ at ISANG
Old Masters / New Realities and the Future of TMRW Gallery
TMRW, Johannesburg 05.09 – 31.10.2018 ‘I do think we’re a little ahead of … [Read more...] about Old Masters / New Realities and the Future of TMRW Gallery
The Masses Are Not Being Listened To: In conversation with Sam Nhlengethwa
Goodman Gallery, Cape Town 11.11 – 08.12.2018 In 1994, fresh off of the … [Read more...] about The Masses Are Not Being Listened To: In conversation with Sam Nhlengethwa
