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National Arts Festival

A feature by Barnabas Ticha Muvhuti & Fadzai Muchemwa

Veiled Social Commentary: Wezile Mgibe’s ‘Umdiyadiya’

A feature by Thuli Gamedze

Frequencies Too High: The Wretched and Dumile Feni at NAF

A review by Vusumzi Nkomo

Portals to the Source: Pitika Ntuli’s ‘Azibuyele Emasisweni’

A review by Barnabas Ticha Muvhuti

Coded Inscriptions: Blessing Ngobeni’s ‘Chaotic Pleasure’

A review by Lifang Zhang & Barnabas Ticha Muvhuti

Site of Memory: Berni Searle’s ‘A Place in the Sun’

A review by Renée Holleman

One Hasty Day: National Arts Festival 2019

A feature by Sikhumbuzo Makandula

Before You Arrive We Were Here: Shuma Sopotela’s ‘Indlulamthi’

A review by Courtney Drysdale

Uncanny Nostalgia: Igshaan Adams’ ‘When Dust Settles’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

William Kentridge, Black Monkey Thorn. A chine-collé silhouetted image on de-acidified book pages. Black Monkey Thorn forms part of his analysis of the forms of different trees indigenous to South Africa. Each impression in the edition has a different book page, 27 x 32 cm

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