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Isabella Kuijers

A review by Isabella Kuijers

Catching the Wind: Yinka Shonibare’s ‘Trade Winds’

A review by Isabella Kuijers

Everyday dissolution: Mia Chaplin’s ‘Mouth’

A review by Isabella Kuijers

Augmented with Reality: ‘Back to the Future III’ at SMAC

A review by Isabella Kuijers

Smoke Gets In Your Eyes: Lisa Brice at Tate Britain

A review by Isabella Kuijers

Filling the Void: Zander Blom’s ‘Posters and Paintings’

A review by Isabella Kuijers

Not Blue Enough: Ghada Amer & Reza Farkhondeh’s ‘Love is a Difficult Blue’

Michele Mathison Intrusion, 2017. Pallisandro marble
A review by Isabella Kuijers

The Movement of Stone: Michele Mathison’s ‘States of Emergence’

A review by Isabella Kuijers

Outside of Time: ‘A Continent Beyond’ at Gallery MOMO

Pierre Fouché, Histeries, 2017. Encaustic on wood laminate
A review by Isabella Kuijers & Lloyd Pollak

Movement Ensnared: Pierre Fouché’s ‘Vreesaanjaende Verligting’

Ruann Coleman, 'Certain Lengths', 2017.  Installation view: SMAC Gallery
A review by Isabella Kuijers

Weights and Measures: Ruann Coleman’s ‘Certain Lengths’

Swain Hoogervorst, Incomplete (Forest) III, 2017. Oil on Canvas
A review by Isabella Kuijers

Ends and Means: Swain Hoogervorst’s ‘Searching Eudaimonia’

Gabrielle Raaf Old Masters (Wild Almond), 2017. Water-based oil on canvas
A review by Isabella Kuijers

Specificity and Abstraction: Gabrielle Raaf’s ‘Trail’

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