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Chad Rossouw

Shirin Neshat, From Roja Series, 2016. Silver gelatin print
A review by Nicola Kritzinger

Entwined Narratives: Shirin Neshat’s ‘Dreamers’

Lady Skollie ‘The Only Reason’ mural (2015) | Installation view: STEVENSON Gallery, Cape Town.
A feature by Keely Shinners

Run The World: In Conversation with Lady Skollie

Deborah Poyton, Lost and Found 2, 2016. Oil on canvas, 230 x 190cm
A review by Lloyd Pollak

Bracketing Realism and Abstraction: Deborah Poynton’s ‘Picnic’

Lawrence Lemoana, Our Freedom Can’t Wait. Fabric and embroidery
A review by Amie Soudien

Past and Present Struggles: ‘The Art of Disruptions’ at ISANG

Barthélémy Toguo, Strange Fruit III, 2016. Watercolour on paper, 113 x 100cm
A review by Gontse Mathabathe

Blood on the leaves and blood on the root: Barthélémy Toguo’s ‘Strange Fruit’

A story by Artthrob

Simphiwe Ndzube wins Tollman Award

A feature by Sue Williamson

Sue Williamson’s Diary: Where do I stand? What do I want?

David Koloane Rhythm, 2016. Acrylic on canvas
A feature by Khanya Mashabela

Celebration and Speculation: Koloane, Masamvu, and Zvavahera

Jane Alexander, Security. Installed at the Cathedral of St John the Divine, New York. Photograph by Mario Todeschini.
A feature by Artthrob & SAHO

The Contemporaries: Jane Alexander

A feature by Juliana Irene Smith & SAHO

The Contemporaries: Jo Ractliffe

A review by Michael Smith

Rhythm and Keening: Matisse at the Standard Bank Gallery

Penny Siopis Quake, 2010. Ink and glue on canvas
A feature by Artthrob & SAHO

The Contemporaries: Penny Siopis

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