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Chad Rossouw

Alexandra Karakashian Ground X, 2016. Oil and salt on paper
A review by Isabella Kuijers

A Dark Ascending Horizon: Alexandra Karakashian’s ‘Ground’

Evan Ifekoya Ebi Flo (We Are Family), 2016. Digital video. Duration 4 min 26 sec
A review by Brett Charles Seiler

Tributes and tributaries: ‘The Quiet Violence of Dreams’ at Stevenson

Berni Searle In wake of, 2014. From the ‘Into the dark’ series.
A feature by Juliana Irene Smith & SAHO

The Contemporaries: Berni Searle

Mary Sibande A Terrible Beauty is Born, 2013. Digital Archive Print
A feature by Keely Shinners

The Contemporaries: Mary Sibande

A feature by Houghton Kinsman

Art and Exchange: Zipho Dayile on Greatmore Studios

Zanele Muholi Somnyama Ngonyama II, Oslo, 2015. Silver gelatin print
A feature by Keely Shinners

The Contemporaries: Zanele Muholi

Michael MacGarry ‘Between Rot and Genesis’ 2016. Installation view: Everard Read, Johannesburg
A review by Gontse Mathabathe

Yoking together post-colonial Africa: Michael MacGarry’s ‘Between Rot and Genesis’

A review by Philiswa Lila

Sex and Loneliness: Banele Khoza’s ‘Temporary Feelings’

Siwa Mgoboza The Department of Afrocorrectional Services II, 2016. Archival ink-jet print on Hahnemuhle Photorag
A feature by

Chad Rossouw

Promised Land: A conversation with Siwa Mgoboza

Kendall Buster, fragments and mutations 17, 2015-2016. Digital print from National Geographic Magazine images 1970-1980
A review by Isabella Kuijers

The City and The City: Kendall Buster’s ‘dis-assembling utopia’

Keneilwe Mokoena Surface, 2015. Pen on canvas
A review by Courtney Scott

Politics, Paint and Parallels: ‘Continuum’ at the National Arts Festival

Lerato Shadi Mosako Wa Nako, 2016. Performance
A review by Sikhumbuzo Makandula

A River of Blood Flows: Lerato Shadi’s ‘Noka Ya Bokamoso’

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Walter Oltmann, Lace. Etching on Hahnemuhle paper, 78.5 x 53.5 cm

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