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Chad Rossouw

A review by Nkgopoleng Moloi

Wetting and Drying: ‘Fathom’ at Goodman Cape Town

A review by Nikita Keogotsitse

Discovery rather than creation: Bonolo Kavula’s ‘sewedi sewedi’

A student review by Anya Brilus

Lives of Objects: Joel Adrianomearisoa in ‘Two Together’

A student review by Francia Pratt

Memory and the Fragments of Time: ‘Two Together’ at Zeitz MOCAA

A student review by Cheyenne Fernánda Miller

Breaking news: Alfredo Jaar’s ‘The Rwanda Project’

A feature by Renée Holleman

Citizen homage: ‘Home is where the Art is’ at Zeitz MOCAA

A student review by Jared Laggar

Showing and Hiding: Alfredo Jaar’s ‘The Rwanda Project’

A student review by Sonja Voigts

Duality of Consciousness: Isaac Julien in ‘Two Together’

A student review by Jenna Cawood

Dark boxes: Alfredo Jaar’s ‘The Rwanda Project’

A review by Michael Smith

Degrees of comparison: Brett Murray’s ‘Hide’

A review by Isabella Kuijers

As we were in company: ‘Mixed Company’ at Norval Foundation

A review by Nkgopoleng Moloi

Movable Archives: Serge Alain Nitegeka’s ‘Lost and Found’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Penny Siopis, Shame Pools, 2004. A three plate, colour etching with collaged found plastic objects on 300 gsm BFK Rives paper, 87 x 39.5 cm

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