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Chad Rossouw

A review by Fadzai Muchemwa

Memory in Purgatory: Neville Starling’s ‘Worlds are Made and Unmade’

A review by

Chad Rossouw

Music, History and Ruin

A review by Keely Shinners

An enclosure and an opening: Jeanne Gaigher’s ‘tango’

A review by Nikita Keogotsitse

Elastic Beings: Simphiwe Ndzube’s ‘The Fantastic Ride to Gwadana’

A picture collection by Artthrob

Art-Binge: Grad Show Edition 2020 [Rhodes and Ruth Prowse]

A feature by Chad Rossouw

Epiphany and Fragments: Simphiwe Ndzube, Pamela Phatsimo Sunstrum and Athi-Patra Ruga

A review by Khumo Sebambo

The Magic of Her Kingdom: Cassi Namoda’s ‘To Live Long is to See Much’

A review by Keely Shinners

The Catalyst, Not the Error: Mame-Diarra Niang’s ‘Call Me When You Get There’

A feature by Nkgopoleng Moloi

Sitting Together in the Darkness: Lindokuhle Sobekwa, Covid and Anxiety

A feature by Tymon Smith

Where AR we going?: Online experience at FNB Art Joburg

A review by Annabelle Wienand

Speak with the Eye: Frida Orupabo’s ‘Hours After’

A review by Keely Shinners

What Grows: Io Makandal’s ‘Terra Visions’

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