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Chad Rossouw

A feature by Chad Rossouw

Memory against forgetting: A tribute to Santu Mofokeng

A review by Nkgopoleng Moloi

The collection and its limits: ‘We’ve Come to Take You Home #1’ at Michaelis Galleries

A review by Keely Shinners

Casting Spells: The Stellenbosch Triennale

A feature by Matthew Blackman

The Limits of Categories: Ernest Mancoba Symposium at A4 Foundation

A picture collection by Artthrob

Art-Binge: Stellenbosch Triennale

A story by Artthrob

Iziko Staff Picket for Pay

A story by Artthrob

Spotlight on Art: Investec Cape Town Art Fair

A review by Nkgopoleng Moloi

Against Erasure and Forgetting: Sabelo Mlangeni and Igshaan Adams at blank projects

A review by Isabella Kuijers

Network Not Hierarchy: Otobong Nkanga’s ‘Acts at the Crossroads’

A review by Chad Rossouw

Material, form and narrative: ‘Soft Architectures’ at Goodman

A review by Nkgopoleng Moloi

Vulnerable Possible: ‘Risk’ at A4 Arts Foundation

A review by Keely Shinners

What was remembered? Sepideh Mehraban’s ‘Until the lions have their own historians, the history...'

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