• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

keely

A review by Clare Patrick

Fragments and threads: Pippa Hetherington’s ‘Interlaced’

A news item by Artthrob

News Roundup: 18 November 2022

A review by Georgia Munnik

Wonders about the weight of Sundays: Dorothee Kreutzfeldt’s ‘the secret harpist’

A news item by Artthrob

News Roundup: 11 November 2022

A review by Thuli Gamedze

ghouls, guts, dust: donna Kukama’s ‘Ways-of-Remembering-Existing’

A news item by Artthrob

News Roundup: 4 November 2022

A review by Ben Albertyn

An Afternoon with Dead Symbols

A review by Lumumba Mthembu

Journey from interiority: Cinthia Sifa Mulanga’s ‘In The Becoming’

A news item by Artthrob

News Roundup: 28 October 2022

A feature by Isabella Kuijers

Frieze is a lot: 2022 roundup

A review by Nkgopoleng Moloi & Scott Eric Williams

Sound, light, movement: Warren Maroon’s ‘Reverence’

A news item by Artthrob

News Roundup: 21 October 2022

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Siemon Allen, Damaged Archive (Soweto), 2016. Archival pigment ink on Hahnemühle German Etching paper, Image size 51 x 51cm; Paper size 55 x 55cm

Buy

Great

Art