Metastasised Plastiglomerate: ‘Matereality’ at ISANG
What Remains: Kevin Beasley’s ‘without a clear discernible image’
Remembering Andrew Verster
Tender and Troubling: Brett Charles Seiler’s ‘Closet’
Rest in Peace: Andrew Verster (1937 – 2020)
The Ground Itself: Michael Armitage’s ‘Accomplice’
Undoing of Form: Givan Lötz’s ‘Unearthly’.
Defending Life: Barthélémy Toguo’s ‘Bilongue’
Inaugural Stellenbosch Triennale opens 11 February
Dialogue on Ernest Mancoba: Symposium and Art Festival
Social Impact Arts Prize 2020 Finalists Announced
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