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Feature

Coby Kennedy, The Coming Of The Thuggernaut, 2017. Bulletproof ballistic grade Kevlar, ink, acrylic gel, 114 x 125 cm
A feature by

Tim Leibbrandt

Sci-Fi Social Commentary: Coby Kennedy on ‘SKIN OF THE THUG’

A feature by Artthrob

Venice Biennale 2017: ArtThrob talks Installation with Brendan Copestake

William Kentridge Back Flip, 1991. Lithograph
A feature by Artthrob

Resale Rights and Sustainability: In conversation with Aspire Auctions

Lucy MacGarry
A feature by

Tim Leibbrandt

Venice Biennale 2017: ArtThrob chats to South African Pavilion Curator Lucy MacGarry

Johannesburg’s Apartheid Museum, with the new art gallery jutting into the skyline on the right.
A feature by Sue Williamson

Sue Williamson’s Diary: John Berger and the Apartheid Museum

A story by Artthrob

Remembering Barend de Wet

A story by Artthrob

Memorial Archive Dive: Barend de Wet

A feature by Valeria Geselev

Ha! Ha! I Know Who You Are; Beneath Those Fine Clothes: The Art of Lesiba Mabitsela

Sethembile Msezane, Chapangu- The Day Rhodes Fell, 2015.
A feature by Kopano Maroga

The Poetics of Remembrance as Resistance: The Work of Sethembile Msezane

Rudi van der Merwe, Trophée. Image: Beatrix Gyenes
A feature by Valeria Geselev

Stepping Out of the Centre: Live Art Festival 2017

A feature by Artthrob

Cape Town Art Fair ’17: ArtThrob’s Must-See Highlights

Jake Singer, Roark's Evacuation Plan, 2016. Appropriated staircase, mild steel, 5 x 5 x 6m
A feature by Houghton Kinsman

Sculptures for the Internet: In conversation with Jake Singer

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Design by Blackman Rossouw

Dineo Sheshee Bopape, Chat-Scat. Screenprint on archival cotton rag paper, 66 x 50.5 cm

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