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A review by Anna Stielau

On (Re)generations: Sue Williamson and Lebohang Kganye at the Barnes Foundation

A review by Nkgopoleng Moloi

Reparative sublation: Lungiswa Gqunta’s ‘Sleep in Witness’

A review by Ben Albertyn

Unserious Art: Notes on the Cape Town Art Fair

A news item by Artthrob

News Roundup: 24 February 2022

A review by Vusumzi Nkomo

Notes on precarity: Kemang Wa Lehulere’s ‘Bring Back Lost Love’

A review by Misha Krynauw

Pages as conduits: Dominique Cheminais’ ‘Things Done While Dreaming’

A story by Artthrob

Curating albums: An interview with Sean O’Toole

A review by Nkgopoleng Moloi

Pleasurable and sensory: ‘Seeds of the Fig’

A news item by Artthrob

News Roundup: 27 January 2023

A review by Barnabas Ticha Muvhuti

Foreground subaltern voices: Mapula Embroideries’ ‘Hands Become Voices for Our Planet’    

A news item by Artthrob

News Roundup: 20 January 2023

A feature by Vusumzi Nkomo

The Ruse of Possibility: ‘A Different Now is Close Enough to Exhale on You’

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