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A feature by Ashraf Jamal

Segue In Blue: on Nelson Makamo’s Blue Series

A review by Lindsey Raymond

To cry at nothing but pixels: ‘My whole body changed into something else’ at Stevenson

A review by Barnabas Ticha Muvhuti

Return to source: Pyda Nyariri’s ‘Artist Room’

A review by Noah Swinney

Among the Asphodels: Bronwyn Katz’s ‘ I turn myself into a star and visit my loved ones...'

A review by Nkgopoleng Moloi

Beauty and Prisons: ‘I have made a place’ at Norval Foundation

A review by Isabella Kuijers

Desire Lines: Igshaan Adams’ ‘Kicking Dust’ at Hayward Gallery

A review by Olga Speakes

Impossible Encounters: ‘Territories Between Us’ at ISANG

A review by Anna Stielau

The Difference Between Losing and Getting Lost: Willem Boshoff’s ‘Word Woes’

A feature by Barnabas Ticha Muvhuti & Fadzai Muchemwa

Veiled Social Commentary: Wezile Mgibe’s ‘Umdiyadiya’

A review by Catherine Rudolph

Screening Connectivity: ‘Not Angels or Algorithms, Only Human Error’ at WHATIFTHEWORLD

A feature by Vusumzi Nkomo

Black & Blue: On Khanyisile Mawhayi and Sabelo Mlangeni

A review by Lukho Witbooi

Spiritual Cleansing: Pardon Mapondera’s ‘Hutsanana’

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Design by Blackman Rossouw

Guy Tillim, Tshililo (right) and her friends share a one-roomed apartment in Cape Agulhas, Esselen Street, Hillbrow. Pigment inks on archival cotton rag paper, 42 x 59.4 cm

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