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A review by Isabella Kuijers

Desire Lines: Igshaan Adams’ ‘Kicking Dust’ at Hayward Gallery

A review by Olga Speakes

Impossible Encounters: ‘Territories Between Us’ at ISANG

A review by Anna Stielau

The Difference Between Losing and Getting Lost: Willem Boshoff’s ‘Word Woes’

A feature by Barnabas Ticha Muvhuti & Fadzai Muchemwa

Veiled Social Commentary: Wezile Mgibe’s ‘Umdiyadiya’

A review by Catherine Rudolph

Screening Connectivity: ‘Not Angels or Algorithms, Only Human Error’ at WHATIFTHEWORLD

A feature by Vusumzi Nkomo

Black & Blue: On Khanyisile Mawhayi and Sabelo Mlangeni

A review by Lukho Witbooi

Spiritual Cleansing: Pardon Mapondera’s ‘Hutsanana’

A review by Misha Krynauw

Effulgent Presence: Fanie Buys’s ‘Miss’

A feature by Nicoletta Michaletos

Burden of Context: Zanele Muholi at Tate Modern

A review by Annabelle Wienand

Erasure and Clarity: Jean Brundrit’s ‘Over the Horizon’

A review by Noah Swinney

Bricolage and Schizophrenia: Stevenson’s ‘Studios’

A feature by Ashraf Jamal

Two Nights in Joburg: On Pauline Gutter, Michael MacGarry, and Boemo Diale

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