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A review by Nkgopoleng Moloi

The Mind of the Stairs: ‘La courte échelle’ at Goodman Gallery

A feature by Ashraf Jamal

The Human Details: Remembering George Hallett

A review by Vusumzi Nkomo

Portals to the Source: Pitika Ntuli’s ‘Azibuyele Emasisweni’

A review by Keely Shinners

As below, so above: ‘Shaping Things’ at SMAC

A review by Barnabas Ticha Muvhuti

Coded Inscriptions: Blessing Ngobeni’s ‘Chaotic Pleasure’

A feature by Ashraf Jamal

Four Crucibles: On Jane Alexander, Willem Boshoff, Ed Young, and Jake Michael Singer

A feature by Khumo Sebambo

Unfixed Unsettled Pink: On Yolanda Mazwana and Penny Siopis

A feature by Keely Shinners

Art and Solidarity: On Benefit and Charity

A review by Misha Krynauw

Dialogues in Waiting: ‘KWAAI Vol.3’ at Eclectica Contemporary

A feature by Cheriese Dilrajh

Radical Entropy: On Nolan Oswald Dennis, Tabita Rezaire, and Bogosi Sekhukhuni

A review by Nkgopoleng Moloi

It is what it is: ruby onyinyechi amanze’s ‘the ones that stayed’

A feature by Dave Mann

Sense of Place: On Sitaara Stodel, Themba Khumalo, and MJ Lourens

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Guy Tillim, Tshililo (right) and her friends share a one-roomed apartment in Cape Agulhas, Esselen Street, Hillbrow. Pigment inks on archival cotton rag paper, 42 x 59.4 cm

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