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A feature by Vusumzi Nkomo

The Fantastic Trio: Simphiwe Ndzube, Nicholas Hlobo, and Pamela Phatsimo Sunstrum

A feature by Lucienne Bestall

The Wrong Window: Reflections on Empty Images

A review by Keely Shinners

Walk through, walk away: Thenjiwe Niki Nkosi’s ‘Gymnasium’

A review by Lucia Gcingca

Natal Tongue: King Debs’ ‘Bokamoso (Future)’

A feature by Nkgopoleng Moloi

The sea is the theatre upon which the drama unfolds: John Akomfrah, Paul Maheke, Buhlebezwe Siwani, ruby...'

A review by Ashraf Jamal

Hesitant Corpor­eality: Stephen Allwright’s ‘Broken Face Soliloquies’

A review by Dave Mann

Mapping catastrophes: Pebofatso Mokoena’s ‘Internal Probes’

A review by Tim Leibbrandt

Capitalocene Crustaceans : Cameron Platter’s ‘Solid Waste’

A review by Vusumzi Nkomo

Multiplicity of Knowing: Mawande Ka Zenzile’s ‘Udludlilali’

A review by Annabelle Wienand

Looking Back to See Forward: ‘From the Vault’ at the Stellenbosch Triennale

A feature by Chad Rossouw

Memory against forgetting: A tribute to Santu Mofokeng

A review by Thuli Gamedze

Good Feelings for What?: Dada Khanyisa’s ‘Good Feelings’