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A review by Nkgopoleng Moloi

The collection and its limits: ‘We’ve Come to Take You Home #1’ at Michaelis Galleries

A review by Ashraf Jamal

Meta­stasised Plasti­glomerate: ‘Matereality’ at ISANG

A review by Lucienne Bestall

What Remains: Kevin Beasley’s ‘without a clear discernible image’

A feature by Clive van den Berg

Remembering Andrew Verster

A review by Gemma Hart

Tender and Troubling: Brett Charles Seiler’s ‘Closet’

A review by Keely Shinners

Casting Spells: The Stellenbosch Triennale

A news item by Artthrob

Rest in Peace: Andrew Verster (1937 – 2020)

A feature by Matthew Blackman

The Limits of Categories: Ernest Mancoba Symposium at A4 Foundation

A review by Ashraf Jamal

The Ground Itself: Michael Armitage’s ‘Accomplice’

A review by Misha Krynauw

Undoing of Form: Givan Lötz’s ‘Unearthly’.

A story by Artthrob

Spotlight on Art: Investec Cape Town Art Fair

A review by Nkgopoleng Moloi

Against Erasure and Forgetting: Sabelo Mlangeni and Igshaan Adams at blank projects