Primary

A review by Ashraf Jamal

Hesitant Corpor­eality: Stephen Allwright’s ‘Broken Face Soliloquies’

A review by Dave Mann

Mapping catastrophes: Pebofatso Mokoena’s ‘Internal Probes’

A review by Tim Leibbrandt

Capitalocene Crustaceans : Cameron Platter’s ‘Solid Waste’

A review by Vusumzi Nkomo

Multiplicity of Knowing: Mawande Ka Zenzile’s ‘Udludlilali’

A review by Annabelle Wienand

Looking Back to See Forward: ‘From the Vault’ at the Stellenbosch Triennale

A feature by Chad Rossouw

Memory against forgetting: A tribute to Santu Mofokeng

A review by Thuli Gamedze

Good Feelings for What?: Dada Khanyisa’s ‘Good Feelings’

A review by Nkgopoleng Moloi

The collection and its limits: ‘We’ve Come to Take You Home #1’ at Michaelis Galleries

A review by Ashraf Jamal

Meta­stasised Plasti­glomerate: ‘Matereality’ at ISANG

A review by Lucienne Bestall

What Remains: Kevin Beasley’s ‘without a clear discernible image’

A feature by Clive van den Berg

Remembering Andrew Verster

A review by Gemma Hart

Tender and Troubling: Brett Charles Seiler’s ‘Closet’