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A review by Vusumzi Nkomo

Defending Life: Barthélémy Toguo’s ‘Bilongue’

A feature by Artthrob

Trans­continental Dialogues: in Conversation with Laura Vincenti

A review by Isabella Kuijers

Network Not Hierarchy: Otobong Nkanga’s ‘Acts at the Crossroads’

A review by Misha Krynauw

Conservation Entropy: Ruby Swinney’s ‘Hold Still’

A review by Ashraf Jamal

Unstuck Segues: Moshekwa Langa’s ‘Tropic of Capricorn’

A review by Chad Rossouw

Material, form and narrative: ‘Soft Architectures’ at Goodman

A review by Olga Speakes

Breathing Space: Cathy Abraham’s ‘A Deeper Kind of Nothing’

A feature by Artthrob

Investec Cape Town Art Fair 2020: ArtThrob chats to Nkule Mabaso and Luigi Fassi

A review by Lucienne Bestall

The Lives of Others: Gabrielle Goliath’s ‘This song is for…’

A review by Tymon Smith

Prodigal Provocateur: Kendell Geers’s ‘In Gozi We Trust’

A review by Nkgopoleng Moloi

Vulnerable Possible: ‘Risk’ at A4 Arts Foundation

A review by Keely Shinners

What was remembered? Sepideh Mehraban’s ‘Until the lions have their own historians, the history...'

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

William Kentridge, Act III scene 1, 2017. Linocut on paper with hand-colouring, 44 x 39.5cm

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