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A review by Keely Shinners

Casting Spells: The Stellenbosch Triennale

A news item by Artthrob

Rest in Peace: Andrew Verster (1937 – 2020)

A feature by Matthew Blackman

The Limits of Categories: Ernest Mancoba Symposium at A4 Foundation

A review by Ashraf Jamal

The Ground Itself: Michael Armitage’s ‘Accomplice’

A review by Misha Krynauw

Undoing of Form: Givan Lötz’s ‘Unearthly’.

A story by Artthrob

Spotlight on Art: Investec Cape Town Art Fair

A review by Nkgopoleng Moloi

Against Erasure and Forgetting: Sabelo Mlangeni and Igshaan Adams at blank projects

A review by Vusumzi Nkomo

Defending Life: Barthélémy Toguo’s ‘Bilongue’

A feature by Artthrob

Trans­continental Dialogues: in Conversation with Laura Vincenti

A review by Isabella Kuijers

Network Not Hierarchy: Otobong Nkanga’s ‘Acts at the Crossroads’

A review by Misha Krynauw

Conservation Entropy: Ruby Swinney’s ‘Hold Still’

A review by Ashraf Jamal

Unstuck Segues: Moshekwa Langa’s ‘Tropic of Capricorn’

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