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Vivien Kohler, FRGL, 2017. Material One, pigment, spray paint, acrylic and oil, 125 × 125 × 9 cm
A feature by Nolan Stevens

Out The Box: A Profile of Vivien Kohler

A feature by Michael Smith

Art collector scours Joburg for space large enough to house personal African Art collection, and ego

El Anatsui, Horizon,, 2016. Installation View: Goodman Gallery, Johannesburg
A feature by Tymon Smith

Bringing it Home: Curator Bisi Silva on El Anatsui’s ‘Meyina’

A review by Kopano Maroga

The Crown Ain’t Worth Much but I Got It from My Momma: Athi-Patra Ruga’s ‘Queens in Exile’

A feature by

Chad Rossouw

The Crumbling Edges: In Conversation with Virginia MacKenny

Masixole Feni Cape Town: A pool of water reflecting shack houses after a heavy rain over the Weekend, in Mfuleni Informal Settlement, 2015
A review by Nolan Stevens

Amplified Eye: Masixole Feni’s ‘Drain on our Dignity’

A review by Tymon Smith

Action/Reaction: John Murray’s ‘Aftermath’

A review by

Tim Leibbrandt

Resin and Wonder: Kiluanji Kia Henda’s ‘In the Days of a Dark Safari’

Michele Mathison Intrusion, 2017. Pallisandro marble
A review by Isabella Kuijers

The Movement of Stone: Michele Mathison’s ‘States of Emergence’

Maaike Bakker, The error message just keeps coming up
A review by Siya Masuku

Endless Possibilities: Maaike Bakker’s ‘Beyond the Vanishing Point’

Guy Tillim Anton Lembede Street, Durban, 2016. Archival pigment ink on 180g cotton paper
A review by

Chad Rossouw

Tillim and the Demanding Gap: Guy Tillim’s ‘Museum of the Revolution’

A review by Vincent Bezuidenhout

Without Walls: South Africa at Performa 17

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Richard Mudariki, Grilled, 2014. Chine-colle etching, 34 x 41 cm

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