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A feature by Artthrob

Venice Biennale 2017: ArtThrob talks Installation with Brendan Copestake

William Kentridge Back Flip, 1991. Lithograph
A feature by Artthrob

Resale Rights and Sustainability: In conversation with Aspire Auctions

Lucy MacGarry
A feature by

Tim Leibbrandt

Venice Biennale 2017: ArtThrob chats to South African Pavilion Curator Lucy MacGarry

Sanell Aggenbach Elysium, 2017. Oil on canvas, 100 x 127 cm
A review by Felix Kawitzky

Trace Decay: Sanell Aggenbach’s ‘Bend to Her Will’

Dorothee Kreutzfeldt, extensions to the lot line 1, 2017. Acrylic and mixed media on canvas, 140 x 180 cm
A review by Quanta Gauld

Constructed Cities: Dorothee Kreutzfeldt’s ‘Extensions to the Lot Line’

Mikhael Subotzky WYE, 2016. Three-channel video installation
A review by Lwandile Fikeni

Manufacturing Otherness from Within: Mikhael Subotzky’s ‘WYE’

Johannesburg’s Apartheid Museum, with the new art gallery jutting into the skyline on the right.
A feature by Sue Williamson

Sue Williamson’s Diary: John Berger and the Apartheid Museum

Gabrielle Raaf Old Masters (Wild Almond), 2017. Water-based oil on canvas
A review by Isabella Kuijers

Specificity and Abstraction: Gabrielle Raaf’s ‘Trail’

Brett Murray, Again/Again (Monumental), 2015. Bronze, 250 x 182 x 265 cm
A review by Tymon Smith

😂 Until You 😭: Brett Murray’s ‘Again Again’

SWEAT protestors at the beginning of the trial in 2014 Picture: Aletta Harrison/EWN.
A news item by Artthrob

Mthethwa Trial | Sentencing Postponed, Bail Denied

A story by Artthrob

Remembering Barend de Wet

A story by Artthrob

Memorial Archive Dive: Barend de Wet

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Georgina Gratrix, Flowers for I.G. Silkscreen on Zerkall Intaglio 250gsm, 50.5 x 65.5 cm

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