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Blessing Ngobeni, Save This Democracy, 2016. Mixed media on canvas, 164 x 350 cm
A review by Motlatsi Khosi

Black Art, White Galleries: Blessing Ngobeni’s ‘Masked Reality’

Lakin Ogunbanwo, I Looked Into Myself, 2016. Light-jet print, 100 x 150 cm
A review by Percy Mabandu

Imagining the Spoken Colour of Skin: Lakin Ogunbanwo’s ‘We Must Not Be Looking’

Sethembile Msezane, Chapangu- The Day Rhodes Fell, 2015.
A feature by Kopano Maroga

The Poetics of Remembrance as Resistance: The Work of Sethembile Msezane

SWEAT protestors at the beginning of the trial in 2014 Picture: Aletta Harrison/EWN.
A news item by Artthrob

Mthethwa Trial | Read the final arguments before 16th March 2017

Rudi van der Merwe, Trophée. Image: Beatrix Gyenes
A feature by Valeria Geselev

Stepping Out of the Centre: Live Art Festival 2017

Jody Paulsen Pushing Thirty, 2016. Felt collage
A review by Lloyd Pollak

A Sisyphean Push: Jody Paulsen’s ‘Pushing Thirty’

Clive van den Berg, A pile of stones(detail), 2016.
A review by Tymon Smith

Conundrums that Tear at the Psyche: Clive van den Berg’s ‘A Pile of Stones’

A feature by Artthrob

Cape Town Art Fair ’17: ArtThrob’s Must-See Highlights

Robin Rhode, Paradise (detail), 2016. C-print, 56 x 70cm
A review by Thuli Gamedze

On Product Versus Process: Robin Rhode’s ‘Paths and Fields’

Jared Ginsburg. Music stands, motors and various objects, dimensions variable (height: 149 cm)
A review by Isabella Kuijers

Playing not practicing: Jared Ginsburg’s ‘Interludes’

Jake Singer, Roark's Evacuation Plan, 2016. Appropriated staircase, mild steel, 5 x 5 x 6m
A feature by Houghton Kinsman

Sculptures for the Internet: In conversation with Jake Singer

Judith Mason, The Man who Sang and the Woman who kept Silent (Triptych), 1998. Composite view of the triptych
A story by Kim Berman

A Tribute to Judith Mason

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Walter Oltmann, Lace. Etching on Hahnemuhle paper, 78.5 x 53.5 cm

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