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Lynette Bester, Fissure II, 2016. Wooden components from 1890's stand up piano donated by Ilona Steverlynck-McCallum
A feature by Chad Rossouw

Fissure and Dust: In Conversation with Lynette Bester

A feature by Artthrob

Cape Town Art Fair ’17: ArtThrob chats to Tumelo Mosaka

Portia Zvavahere What I See Beyond Feeling [1], 2016. Oil-based printing ink and oil bar on canvas
A review by Gontse Mathabathe

Between love and dreams: Portia Zvavahera’s ‘What I See Beyond Feeling’

Joël Andrianomearisoa, The Skinny Boy (The Future), 2016. Denim strips, 90 x 12 x 18cm
A feature by Artthrob

Cape Town Art Fair ’17: Meet the Artists of ‘Tomorrows/Today’

Lungiswa Gqunta Lawn 1 (Detail), 2016. Wood, broken bottles, and petrol
A review by Lloyd Pollak

Fissures: ‘Negative Space’ at Whatiftheworld

Paolo Woods & Gabriele Galimberti, A man floats in the 57th-floor swimming pool of the Marina Bay Sands Hotel, with the skyline of the Singapore financial district behind him, 2013.
A review by

Tim Leibbrandt

Floating Critique: ‘1% Privilege in a Time of Global Inequality’ at Chavonnes Battery Museum

A story by Artthrob

A Letter to Iziko Regarding ‘Our Lady’

Athi-Patra Ruga invitation...presentation...induction, 2013. Wool and thread on tapestry canvas
A review by Isabella Kuijers & Lloyd Pollak

Work, work, work: ‘Women’s Work’ at ISANG

Nicholas Hlobo, Sewing Saw, 2016. Installation view and detail from performance: Stevenson, Cape Town
A review by Anna Stielau

Enigmatic Yarn: Nicholas Hlobo’s ‘Sewing Saw’

A feature by Valeria Geselev

The Exhibition that Missed its Audience: The Day Helen Sebidi Didn’t Meet the Students

A news item by Artthrob

A Letter to Iziko SANG and The New Church Museum

Okwui Enwezor and Artur Walther at the Performa gala
A feature by Sue Williamson

Sue Williamson’s Diary: An interview with Okwui

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