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Jody Paulsen Pushing Thirty, 2016. Felt collage
A review by Lloyd Pollak

A Sisyphean Push: Jody Paulsen’s ‘Pushing Thirty’

Clive van den Berg, A pile of stones(detail), 2016.
A review by Tymon Smith

Conundrums that Tear at the Psyche: Clive van den Berg’s ‘A Pile of Stones’

A feature by Artthrob

Cape Town Art Fair ’17: ArtThrob’s Must-See Highlights

Robin Rhode, Paradise (detail), 2016. C-print, 56 x 70cm
A review by Thuli Gamedze

On Product Versus Process: Robin Rhode’s ‘Paths and Fields’

Jared Ginsburg. Music stands, motors and various objects, dimensions variable (height: 149 cm)
A review by Isabella Kuijers

Playing not practicing: Jared Ginsburg’s ‘Interludes’

Jake Singer, Roark's Evacuation Plan, 2016. Appropriated staircase, mild steel, 5 x 5 x 6m
A feature by Houghton Kinsman

Sculptures for the Internet: In conversation with Jake Singer

Judith Mason, The Man who Sang and the Woman who kept Silent (Triptych), 1998. Composite view of the triptych
A story by Kim Berman

A Tribute to Judith Mason

Lynette Bester, Fissure II, 2016. Wooden components from 1890's stand up piano donated by Ilona Steverlynck-McCallum
A feature by Chad Rossouw

Fissure and Dust: In Conversation with Lynette Bester

A feature by Artthrob

Cape Town Art Fair ’17: ArtThrob chats to Tumelo Mosaka

Portia Zvavahere What I See Beyond Feeling [1], 2016. Oil-based printing ink and oil bar on canvas
A review by Gontse Mathabathe

Between love and dreams: Portia Zvavahera’s ‘What I See Beyond Feeling’

Joël Andrianomearisoa, The Skinny Boy (The Future), 2016. Denim strips, 90 x 12 x 18cm
A feature by Artthrob

Cape Town Art Fair ’17: Meet the Artists of ‘Tomorrows/Today’

Lungiswa Gqunta Lawn 1 (Detail), 2016. Wood, broken bottles, and petrol
A review by Lloyd Pollak

Fissures: ‘Negative Space’ at Whatiftheworld

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Penny Siopis, Shame Pools, 2004. A three plate, colour etching with collaged found plastic objects on 300 gsm BFK Rives paper, 87 x 39.5 cm

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