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Ian Grose, Dissimulation 13, 2015. Oil on linen, 168 x 149cm
A review by Lwandile Fikeni

Ian Grose: On Art, materiality and materialism

'Speaking Back', installation view: Goodman Gallery Cape Town, 2015
A review by Nkule Mabaso

Nothing Wrong with Speaking Back: Thoughts on an Exhibition

Athi-Patra Ruga, The Elder of Azania, 2015. Performance: National Arts Festival
A review by Anna Stielau

An Extravagant Vehicle for Fantastical Content: Athi-Patra Ruga’s The Elder of Azania

A feature by Sue Williamson

Sue Williamson’s Diary: Fireflies in a time of Greek crisis

Willem Boshoff, Racist in South Africa, 2011. Anodised aluminium panel. 120 x 120 x 0.3 cm
A feature by

Tim Leibbrandt

Text Type Thing: Form and Content in Willem Boshoff’s Political Text Pieces

Kemang Wa Lehulere Another Homeless Song (for RRR Dhlomo) 1, 2015. Salvaged school desks (wood and steel), music stands, gumboots, paint, porcelain dogs
A review by Vincent Bezuidenhout

Rewriting History: Kemang Wa Lehulere’s History Will Break Your Heart

Jared Ginsburg 'The Natural World parts 2, 3, 4, 5 and 6' 2015. Installation view: blank projects
A review by Mitchell Messina

Jared Ginsburg’s Natural World

Zwelethu Mthethwa (from the Sugar Cane series), 2007. Chromogenic print
A feature by

Chad Rossouw

It’s Time To Talk About Value

Ephrem Solomon, Forbidden Fruit 22, 2015. Woodcut and mixed media, 40 x 40cm.
A review by

Tim Leibbrandt

Nine Artists in Nine Words

A feature by

Chad Rossouw

The Kids Are Doing OK: Brand, Mogale and Nxumalo

Zwelethu Mthethwa
A news item by Artthrob

Mthethwa Trial Update: No.1

Deborah Bell, Return of The Gods: The Ancient Ones I–V,2013 - 2015. Bronze, edition of 6. installation size variable. Installation sound by Philip Miller
A feature by

Tim Leibbrandt

Deborah Bell: ‘I don’t know if I summoned these figures or if they summoned me’

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Georgina Gratrix, Flowers for I.G. Silkscreen on Zerkall Intaglio 250gsm, 50.5 x 65.5 cm

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