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Zwelethu Mthethwa (from the Sugar Cane series), 2007. Chromogenic print
A feature by

Chad Rossouw

It’s Time To Talk About Value

Ephrem Solomon, Forbidden Fruit 22, 2015. Woodcut and mixed media, 40 x 40cm.
A review by

Tim Leibbrandt

Nine Artists in Nine Words

A feature by

Chad Rossouw

The Kids Are Doing OK: Brand, Mogale and Nxumalo

Zwelethu Mthethwa
A news item by Artthrob

Mthethwa Trial Update: No.1

Deborah Bell, Return of The Gods: The Ancient Ones I–V,2013 - 2015. Bronze, edition of 6. installation size variable. Installation sound by Philip Miller
A feature by

Tim Leibbrandt

Deborah Bell: ‘I don’t know if I summoned these figures or if they summoned me’

A news item by

Chad Rossouw

Sex Workers Protest Outside Mthethwa Trial

Dan Halter, V for Vendetta, 2015. African masks, dimensions variable
A review by Lwandile Fikeni

Dan Halter: Immigration and the Problematic of Representation

A review by Mpho Moshe Matheolane

Sheets of Imprisonment: Turiya Magadlela’s ‘Kaffersheet’

A news item by

Chad Rossouw

Subotzky and Waterhouse’s Ponte City

A feature by Sue Williamson

Sue Williamson’s Diary: Doing Venice

Dominique Edwards Untitled (2015), Video installation. Time looped
A review by

Tim Leibbrandt

With Pulp: Dominique Edwards’ ‘Buikspraak/Gutspeak’

Mawande Ka Zenzile, Untitled (Memory), 2015. Cow dung, earth, gesso and oil on canvas, 91 x 150 cm © Copyright 2015, STEVENSON. All rights reserved.
A feature by Nkule Mabaso

The Art of the Possible: Mawande Ka Zenzile

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