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A news item by

Chad Rossouw

Sex Workers Protest Outside Mthethwa Trial

Dan Halter, V for Vendetta, 2015. African masks, dimensions variable
A review by Lwandile Fikeni

Dan Halter: Immigration and the Problematic of Representation

A review by Mpho Moshe Matheolane

Sheets of Imprisonment: Turiya Magadlela’s ‘Kaffersheet’

A news item by

Chad Rossouw

Subotzky and Waterhouse’s Ponte City

A feature by Sue Williamson

Sue Williamson’s Diary: Doing Venice

Dominique Edwards Untitled (2015), Video installation. Time looped
A review by

Tim Leibbrandt

With Pulp: Dominique Edwards’ ‘Buikspraak/Gutspeak’

Mawande Ka Zenzile, Untitled (Memory), 2015. Cow dung, earth, gesso and oil on canvas, 91 x 150 cm © Copyright 2015, STEVENSON. All rights reserved.
A feature by Nkule Mabaso

The Art of the Possible: Mawande Ka Zenzile

A review by Isabella Kuijers

Hazy Worlds: Alexia Vogel’s ‘Lost in Reverie’

A feature by Sue Williamson

Sue Williamson’s diary: In the heart of the country

Lisa Brice, Untitled xxxviii, (Well Worn 2), 2015. Ink and gesso on cotton, 122 x 102 cm.
A review by Michael Smith

Wearing Well: Lisa Brice’s ‘Well Worn’

Forged. Installation view: SMAC Gallery
A review by Lloyd Pollak

The Forgery of Sculpture

Adam Broomberg & Oliver Chanarin, Haggai, 2013. King James Bible, Hahnemühle print, brass pins, Framed: 34.5 x 45.5 x 5 cm. Edition of 3
A review by Isabella Kuijers

The Gospel According To Broomberg And Chanarin

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

William Kentridge, Act III scene 1, 2017. Linocut on paper with hand-colouring, 44 x 39.5cm

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