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Review

A review by

Tim Leibbrandt

Salem’s Lot: Simon Gush’s ‘Welcome to Frontier Country’

A review by Michael Smith

The Shifting City: Sam Nhlengethwa’s ‘Joburg Selected’

A review by Ashraf Jamal

The Sound in Our Heads: Jaco van Schalkwyk, Jenna Burchell, and Wayne Matthews’s ‘A Land...'

A review by Nkgopoleng Moloi

Nothing to see here: Meleko Mokgosi’s ‘Objects of Desire, Addendum’

A review by Keely Shinners

Petri Dish: Carol-Anne Gainer’s ‘Rock Dove Song’

A review by Catherine Rudolph

Memories of Gender: ‘It’s rude to stare but you’re welcome to see’ at Michaelis Galleries

A review by Tymon Smith

Rocky Terrain: ‘rocks’ at the gallery

A review by Ashraf Jamal

Thread Count: ‘Sans’ at OPEN 24 HRS

A review by Nkgopoleng Moloi

Comfort with Unknowing: ‘Speculative Inquiry #1 (On abstraction)’

A review by Misha Krynauw

Early Christmas: Fanie Buys’s ‘Happy Birthday Jesus!’

A review by Dave Mann

Weaving the Nest: Tanya Poole’s ‘Ancient Codes’

A review by Thuli Gamedze

Away from Zero: Carrie Mae Weems’s ‘Over Time’

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Dan Halter, On Exactitude in Science. Woven archival prints on Ivory Enigma paper, 28 x 19 cm

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