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Review

A review by Lucienne Bestall

Once More, With Feeling: William Kentridge at Zeitz MOCAA

A review by Isabella Kuijers

Listening to Paintings: Misheck Masamvu’s ‘Hata’

A review by Keely Shinners

How To (Re)create Mitchell Gilbert Messina’s ‘Sure Thing!’

A review by Tymon Smith

Necessary Discussions: Sue Williamson’s ‘That particular morning’

A review by Misha Krynauw

Rebirth and Recalibration: Nobukho Nqaba’s ‘Izicwangciso Zezethu’

A review by Elizabeth Gunter

Between Image and Life: Ashley Walters’ ‘Parallel’

A review by Keely Shinners

I didn’t come here to party: ‘Shooting Birds’

A review by Zintle Magazi

Curious Celestial Phenomena: Scott Eric Williams and Friend’s ‘Portals’

A review by Khanya Mashabela

Empathy and Sensitivity: David Koloane’s ‘A Resilient Visionary’

A review by Natasha Norman and Annemi Conradie

Mode of Mutuality: Io Makandal’s ‘Life in the entropics’

A review by Monique Pelser

Rules and Isolations: Edson Chagas’ ‘Factory of Disposable Feelings’

A review by Michael Smith

Levels of tenderness: Sanell Aggenbach’s ‘The Heart Has Many Rooms’

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