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Review

A review by Lifang Zhang & Barnabas Ticha Muvhuti

Site of Memory: Berni Searle’s ‘A Place in the Sun’

A review by Isabella Kuijers

Strength and Opacity: ‘The stronger we become’ at the 58th Venice Biennale

A review by Keely Shinners

A Thing Woven: ‘Acts of Reading’ at Goodman

A review by Tymon Smith

Identification and Deconstruction: Mikhael Subotzky’s ‘Massive Nerve Corpus’

A review by Renée Holleman

One Hasty Day: National Arts Festival 2019

A review by Michael Smith

Decapitating Discourse: MJ Turpin’s ‘take me apart.’

A review by Ashraf Jamal

Joint-Solo: Dan Halter and Chris Soal at WHATIFTHEWORLD

A review by Khanya Mashabela

Subjective Nationhood: ‘The Botswana Pavilion: No Return’ at Gallery MOMO

A review by Percy Mabandu

A Mask that Refuses to Dance: ‘40 Years of Collecting’ at Standard Bank Gallery

A review by Nkgopoleng Moloi

Banal and Celestial: Usha Seejarim’s ‘Transgressing Power’

A review by Gemma Hart

Drowning and Denialism: Lady Skollie’s ‘Good & Evil’

A review by Chad Rossouw

Limits and Scales: Jo Ractliffe’s ‘Signs of Life’

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