• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Review

A review by M Thesen Law

Parallel Worlds, Partial Bodies: Michaela Younge’s ‘Nothing Bad’

A review by Ashraf Jamal

Chicken and Egg: Maurice Mbikayi’s ‘Coucou Crumble’

A review by Keely Shinners

Limits and Reveals: Ashley Walters’ ‘White City’

A review by Misha Krynauw

Interconnected Creation: Peter Eastman’s ‘Tangled Hierarchies’

A review by Nkgopoleng Moloi

Sacred shapes, transcendent paint: Portia Zvavahera’s ‘Talitha Cumi’

A review by Cheriese Dilrajh

Making Art History: ‘IKHONO LASENATALI’ at KZNSA

A review by Lloyd Pollak

Romance and Plasticine: Mia Darling’s ‘Things to Hide Behind’

A review by Dave Mann

The Tension of Passing Time: Jabulani Dhlamini’s ‘Isisekelo’

A review by Ashraf Jamal

The Centre of a Star Of Lines: Connor Cullinan’s ‘11.11’

A review by Nolan Stevens

The Inverted Funnel: James Webb’s ‘Three Dreams of the Sinking World’

A review by Isabella Kuijers

May Contain Trace Elements: Herman Mbamba and Cameron Platter’s ‘FR1000ID’

A review by Misha Krynauw

Intense Introspection, Uncanny Simplicity: Thandiwe Msebenzi and Bert Pauw at SMITH

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Buy

Great

Art