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Review

A review by Gemma Hart

Deadly Tranquility: Olivié Keck’s ‘Drop Dead Gorgeous’

A review by Keely Shinners

Sculptural listening: ‘The Listening Room’

A review by Nkgopoleng Moloi

Shifting Cartography: ‘A Black Aesthetic’

A review by Ashraf Jamal

Consoling Pleasures: Stephané E. Conradie’s ‘Domestic Lives, Nomadic Belongings’

A review by Tymon Smith

Flâneurial Creations: Samson Kambalu’s ‘Nyasaland Analysand’

A review by Isabella Kuijers

Catching the Wind: Yinka Shonibare’s ‘Trade Winds’

A review by Annemi Conradie

Staging Authenticity: Robert Slingsby’s ‘In/Dependence’

A review by M Thesen Law

Super Spectacle: Ed Young’s ‘HERO’

A review by Kopano Maroga

How to Remember. How to Mourn: Patrick Bongoy’s ‘Remains’

A review by Nolan Stevens

Solace and Whispers: Simphiwe Buthelezi’s ‘Lala La’

A review by Sue Williamson

Back to The Future: ‘Still Here Tomorrow to High Five You Yesterday’ at Zeitz MOCAA

A review by Keely Shinners

Found rather than created: Marinella Senatore’s ‘Bodies in Alliance / Politics of the Street’

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