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Review

A review by Ashraf Jamal

Archaeology of an Absence: Bronwyn Katz’s ‘/ // ! ǂ’

A review by Christa Dee

Prepossessing the Future: Zana Masombuka’s ‘Time’

A review by Misha Krynauw

Unwavering Versatility: Thania Petersen’s ‘IQRA’

A review by

Tim Leibbrandt

Intrinsic Field: Wim Botha’s ‘Heliostat’

A review by Cheriese Dilrajh

Uncovering Hidden Narratives: ‘Proclamation 73’ at Durban Art Gallery

A review by Tymon Smith

Imagined Topographies: Gerhard Marx’s ‘Ecstatic Archive’

A review by Kopano Maroga

A Gathering of Sorts: Kaloki Nyamai’s ‘Mwaki Nginya Evinda Enge’

A review by Nkgopoleng Moloi

Resisting Categories: ‘Mating Birds Vol.2’ at KZNSA

A review by Ashraf Jamal

The Grammar of Suffering: Nolan Oswald Dennis’s ‘Options’

A review by Isabella Kuijers

Everyday dissolution: Mia Chaplin’s ‘Mouth’

A review by Christa Dee

Green Expectations: Jody Paulsen’s ‘Water Me’

A review by Lucienne Bestall

Stone Cold: Alfredo Jaar’s ‘Men Who Cannot Cry’

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