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Review

A review by Scott Eric Williams

Blue-collar Banter: Rory Emmett and Ronald Muchatuta at the AVA Gallery

Todd Gray, Flora Africanus (Shadow), 2017. 2 archival pigment prints in found artist’s frames 106.5 x 66 cm
A review by Kopano Maroga

Space is our Place: Todd Gray’s ‘Pluralities of Being’

Bronwyn Katz, Wasgoed draad, 2017. Salvaged wire and mattress lining, 133 x 183 x 18cm
A review by Nicoletta Michaletos

Ghost Stories: Bronwyn Katz’s ‘Grondskryf’

A review by Nicola Kritzinger

Joburg Art Fair talks and discussions

Ed Young 'Cash or Card' | Installation view: SMAC Gallery, Johannesburg
A review by Michael Smith

I Know You’ll Win in the End: Ed Young’s ‘Cash or Card’

Hasan and Husain Essop, Refugees, 2016. Pigment inks on cotton rag paper, 100 x 150 cm
A review by Tymon Smith

Poignant Re-presentation: Hasan and Husain Essop’s ‘Refuge’

Pierre Fouché, Histeries, 2017. Encaustic on wood laminate
A review by Isabella Kuijers & Lloyd Pollak

Movement Ensnared: Pierre Fouché’s ‘Vreesaanjaende Verligting’

2017 Standard Bank Young Artist for Performance Art, Dineo Seshee Bopape at the National Arts Festival, Grahamstown
A review by Jean-Sylvain Tshilumba Mukendi

Singing History: Dineo Seshee Bopape’s ‘Sa Koša Ke Lerole’

Andy Warhol, Marilyn Monroe (Marilyn), 1967. From a portfolio of ten screenprints on paper. Bank of America Merrill Lynch Collection. The Andy Warhol Foundation for the Visual Arts, Inc
A review by Nicola Kritzinger

The Relevance of Warhol: ‘Warhol Unscreened’ at WAM

Sharlene Khan, Nervous Conditions I, 2013. Video installation, 20 mins
A review by Kopano Maroga

Offerings from the Post-colony: ‘Looking After Freedom’ at Michaelis Galleries

Sarah Biggs, Paradise, departing, 2016. Oil on paper, 77 x 62 cm
A review by Nicoletta Michaletos

Material Friction: Sarah Biggs’s ‘Waiting for Rain’

Katleho Kano Shoro, BA TENG: YourSelves ECHO, 2017. Installation with poem, installation by Tristan Nebe
A review by Quanta Gauld

Curiosity and Connection: ‘Calibrating Wonder*’ at SMITH Studio

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Walter Oltmann, Lace. Etching on Hahnemuhle paper, 78.5 x 53.5 cm

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