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Review

Beth Diane Armstrong, ‘in perpetuum’. Installation view: Grahamstown National Arts Festival
A review by Jean-Sylvain Tshilumba Mukendi

Overlaps and Organisms: Beth Diane Armstrong’s ‘in perpetuum’

Kemang Wa Lehulere, Every Song, 2017. Wall carving
A review by Nicola Kritzinger

The Songs We are Taught to Sing: Kemang Wa Lehulere’s ‘Bird Song’

Jody Brand, A Rose is a Rose (performance at exhibition opening of 'You Can't Keep A Good Woman Down'). Installation view: Stevenson, Cape Town, 2017
A review by Thuli Gamedze

Defining Excellence: Jody Brand’s ‘You Can’t Keep a Good Woman Down’

Ruann Coleman, 'Certain Lengths', 2017.  Installation view: SMAC Gallery
A review by Isabella Kuijers

Weights and Measures: Ruann Coleman’s ‘Certain Lengths’

Mounir Fatmi, Mother Language, 2017. Steel blade and cut outs 150 cm diameter
A review by Nicola Kritzinger

Shadows on the Moon: Mounir Fatmi’s ‘Fragmented Memory’

Michael MacGarry, Parang,, 2017. Two-channel HD video, 11 minutes 34 seconds
A review by Chris Thurman

Agency and Amor Fati: Michael MacGarry’s ‘Show No Pain’

A review by Jean-Sylvain Tshilumba Mukendi

Bearers of Memory: Georges Senga Assani’s ‘Cette maison n’est pas à vendre et à vendre’

A review by Amie Soudien

Invisible, Intangible, Insensible: Barbara Wildenboer’s ‘The Invisible Gardener’

Swain Hoogervorst, Incomplete (Forest) III, 2017. Oil on Canvas
A review by Isabella Kuijers

Ends and Means: Swain Hoogervorst’s ‘Searching Eudaimonia’

Musa N. Nxumalo, Isigxagxa I, 2017. Gicleé print on Hahnemühle Photo Rag
A review by Philiswa Lila

Stranded Action: Musa N Nxumalo’s ’16 Shots’

Tabita Rezaire, DEEP DOWN TIDAL(still), 2017. Hd video, 19min. Commissioned by Toke Lykkeberg for Citizen X – Human, Nature, And Robot Rights, Oregaard Museum, Denmark
A review by Motlatsi Khosi

Digital Utopia: Tabita Rezaire’s ‘Exotic Trade’

Viviane Sassen, Gallopp, 2017. Archival pigment ink and collage on Baryta paper
A review by Gontse Mathabathe

Unsettling Fecundity: Viviane Sassen’s ‘Of Mud and Lotus’

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Dan Halter, On Exactitude in Science. Woven archival prints on Ivory Enigma paper, 28 x 19 cm

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