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Review

Clive van den Berg, A pile of stones(detail), 2016.
A review by Tymon Smith

Conundrums that Tear at the Psyche: Clive van den Berg’s ‘A Pile of Stones’

Robin Rhode, Paradise (detail), 2016. C-print, 56 x 70cm
A review by Thuli Gamedze

On Product Versus Process: Robin Rhode’s ‘Paths and Fields’

Jared Ginsburg. Music stands, motors and various objects, dimensions variable (height: 149 cm)
A review by Isabella Kuijers

Playing not practicing: Jared Ginsburg’s ‘Interludes’

Portia Zvavahere What I See Beyond Feeling [1], 2016. Oil-based printing ink and oil bar on canvas
A review by Gontse Mathabathe

Between love and dreams: Portia Zvavahera’s ‘What I See Beyond Feeling’

Lungiswa Gqunta Lawn 1 (Detail), 2016. Wood, broken bottles, and petrol
A review by Lloyd Pollak

Fissures: ‘Negative Space’ at Whatiftheworld

Paolo Woods & Gabriele Galimberti, A man floats in the 57th-floor swimming pool of the Marina Bay Sands Hotel, with the skyline of the Singapore financial district behind him, 2013.
A review by

Tim Leibbrandt

Floating Critique: ‘1% Privilege in a Time of Global Inequality’ at Chavonnes Battery Museum

Athi-Patra Ruga invitation...presentation...induction, 2013. Wool and thread on tapestry canvas
A review by Isabella Kuijers & Lloyd Pollak

Work, work, work: ‘Women’s Work’ at ISANG

Nicholas Hlobo, Sewing Saw, 2016. Installation view and detail from performance: Stevenson, Cape Town
A review by Anna Stielau

Enigmatic Yarn: Nicholas Hlobo’s ‘Sewing Saw’

Lina Iris Viktor Constellations III, 2016. Pure 24K Gold, Acrylic, Gouache, Print on Matte Canvas
A review by Gontse Mathabathe

Students of this black culture: ‘Black Portraiture[s]’ Conference

Cosmo Whyte Untitled, 2016. Charcoal and Gold Leaf
A review by Amie Soudien

To Support the Substance: ‘Selling the Shadow’ at MOMO

Joël Mpah Dooh, Since We Last Met, 2016. Installation View: Gallery MOMO, Johannesburg
A review by Tymon Smith

Time Waits for No One: Joël Mpah Dooh’s ‘Since We Last Met’

A review by Felix Kawitzky

Kiss Kiss (or, The Void Vores Back): Frances Goodman’s ‘Degreened’

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Claudette Schreuders, The Bystander 2. Lithographic print on cotton rag paper, 38 x 55.5 cm

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