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Review

Simphiwe Ndzube, Inevitable Journey to Mars I, 2016. Acrylic paint on perspex print, 120 x 240 cm
A review by Nkule Mabaso

Perched at the edge of Precarity: Simphiwe Ndzube’s ‘Becoming’

A review by Isabella Kuijers

Polysemic Seas: ‘Liminal Geographies’ at Barnard Gallery

Josie Grindrod at the Irma Stern Museum, Cape Town
A review by Anna Stielau

Rolling Lawns and Exorcisms: Josie Grindrod’s ‘Last Light’

Athi-Patra Ruga performing Over the Rainbow. Photo courtesy Elise Swain
A review by Vincent Bezuidenhout

Makube Njalo: Athi-Patra Ruga’s ‘Over the Rainbow’

Kevin Atkinson, Horizon Doing, 1977. Oil on canvas, 167,5 x 244 cm
A review by Lloyd Pollak

The Many Atkinsons: Kevin Atkinson’s ‘Re-opening Plato’s Cave’

A review by Siobhan Keam

In Context: Frieze London and 1:54

Thomas Cartwright We Got Nothing Much To Lose, 2016. Oil on Board
A review by Isabella Kuijers

Fading Light: ‘Nocturne’ at Everard Read

Zanele Muholi 'Faces and Phases 10' (2016) | Installation view: Stevenson, Johannesburg
A review by Gontse Mathabathe

Voice and Visibility: Zanele Muholi’s ‘Faces and Phases 10’

The Brother Moves On / Hlabelela: It’s a New Mourning Nkush / 2016 | Installation view: Goodman Gallery, Johannesburg
A review by Lwandile Fikeni

The Spectacle of Poverty: The Brother Moves On at Goodman Gallery

Igshaan Adams, Oorskot ,2016. Installation view: blank projects, Cape Town
A review by Anna Stielau

Stranger Things: Igshaan Adams’ ‘Oorskot’

Mary Sibande, Right Now!, 2016. Digital pigment print
A review by Lwandile Fikeni

The spring show and the end of history

Shirin Neshat, From Roja Series, 2016. Silver gelatin print
A review by Nicola Kritzinger

Entwined Narratives: Shirin Neshat’s ‘Dreamers’

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Walter Oltmann, Lace. Etching on Hahnemuhle paper, 78.5 x 53.5 cm

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