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Review

Deborah Poyton, Lost and Found 2, 2016. Oil on canvas, 230 x 190cm
A review by Lloyd Pollak

Bracketing Realism and Abstraction: Deborah Poynton’s ‘Picnic’

Lawrence Lemoana, Our Freedom Can’t Wait. Fabric and embroidery
A review by Amie Soudien

Past and Present Struggles: ‘The Art of Disruptions’ at ISANG

Barthélémy Toguo, Strange Fruit III, 2016. Watercolour on paper, 113 x 100cm
A review by Gontse Mathabathe

Blood on the leaves and blood on the root: Barthélémy Toguo’s ‘Strange Fruit’

A review by Michael Smith

Rhythm and Keening: Matisse at the Standard Bank Gallery

Alexandra Karakashian Ground X, 2016. Oil and salt on paper
A review by Isabella Kuijers

A Dark Ascending Horizon: Alexandra Karakashian’s ‘Ground’

Evan Ifekoya Ebi Flo (We Are Family), 2016. Digital video. Duration 4 min 26 sec
A review by Brett Charles Seiler

Tributes and tributaries: ‘The Quiet Violence of Dreams’ at Stevenson

A review by George Mahashe

Making History: Kemang Wa Lehulere’s ‘The Knife Eats at Home’

Michael MacGarry ‘Between Rot and Genesis’ 2016. Installation view: Everard Read, Johannesburg
A review by Gontse Mathabathe

Yoking together post-colonial Africa: Michael MacGarry’s ‘Between Rot and Genesis’

A review by Philiswa Lila

Sex and Loneliness: Banele Khoza’s ‘Temporary Feelings’

A review by Felix Kawitzky

Xenoglossia: ‘Paradoxal Stranger’ at Gallery MOMO

A review by Tymon Smith

█████████: Vincent Bezuidenhout’s ‘Fail...'

A review by Thuli Gamedze

Peripheral Perspectives and the Question of the Land: Mohau Modisakeng’s ‘Lefa La Ntate’

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Mikhael Subotzky, Johnny Fortune, 2004. Pigment inks on archival cotton rag paper, 56 x 78.4 cm

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