Review
Escape Fantasies and the Fountain of Youth: Pieter Hugo’s ‘1994’
Politics, Paint and Parallels: ‘Continuum’ at the National Arts Festival
A River of Blood Flows: Lerato Shadi’s ‘Noka Ya Bokamoso’
The Black Woman’s Gaze: Florine Demosthene’s ‘The Burst’
Monochromatic polymorphism: Barend De Wet’s ‘Black, White and Everything In-Between’
Interiors and Exteriors: ‘Home Truths’ at iSANG
The One With the Couch: Gerda Scheepers’ ‘Sitcom’
Floating in a Mind Map: Moshekwa Langa’s ‘Ellipses’
Copper Sheen and Stark Reflections: Rowan Smith & Xhanti Zwelendaba’s ‘Chamber of Mines’
Emptied-Out Land Myths: Walter Meyer’s ‘Hinterland’
Monumental Reassessment: ‘New Monuments’ at Commune.1
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