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Review

A review by Portia Malatjie

Maths and Bodies: Pamela Phatsimo Sunstrum’s ‘Polyhedra’

A review by Nicola Kritzinger

Disconcerting Securities: Carla Busuttil’s ‘choice.click.bait.’

A review by Tymon Smith

Singing Agnus Dei in the shower: Jake Singer’s ‘CATASTROPHES’

A review by Quanta Gauld

Anxious Landscapes: Pastoral Abstraction at Everard Read

A review by Isabella Kuijers

Gory Impasto: Johann Louw’s ‘Loog’

A review by

Chad Rossouw

Imaginary Arcs: Roger Palmer’s ‘Spoor’

A review by Thuli Gamedze

Centering the human as the site of memorial: Jabulani Dhlamini’s ‘Re-Capture’

A review by Isabella Kuijers

Gold mine or mine field? Jonah Sack’s ‘Obstruction’

A review by Same Mdluli

Diary and Materiality: Mawande ka Zenzile’s ‘Mawande ka Zenzile’

A review by Felix Kawitzky

Dead Men, New Paintings: Zander Blom’s ‘New Paintings’

Michael Linders Inkomazi, 2016. Ink on paper
A review by Themba Tsotsi

The Exile of Local Icons: Michael Linders’ ‘Exile’

Meleko Mokgosi Comrades I, 2015. Two panels, oil on canvas; bleach on portrait linen.
A review by Sinazo Chiya

A Comradeship of Stillness: Meleko Mokgosi’s ‘Comrades’

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