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Review

A review by Dave Mann

The absence of knowledge through the excess of media: Alfredo Jaar’s ‘Amilcar, Frantz, Patrice and...'

A review by Tim Leibbrandt

Reverberating Sounds of Things to Come: James Webb’s ‘Ecstatic Interference’

Georgina Gratrix, 'Puppy Love' installation shot
A review by Lloyd Pollak

The Queen of Titivation and Prink: Georgina Gratrix’s ‘Puppy Love’

A review by Kira Kemper

A Deeply Personal and Political Journey: Minnette Vári’s ‘Of Darkness and of Light’

A review by Themba Tsotsi

Producing Space: ‘Furniture’ at blank projects

A review by Nicola Kritzinger

Double Meanings: Svea Josephy’s ‘Satellite Cities’

Jonathan Hindson Walk on By , 2015. Mixed media on wood
A review by Lwandile Fikeni

Alienation, Home and Humanity: Jonathan Hindson’s ‘Home’

A review by Thuli Gamedze

Giving Renewed Attention to Old Voices? ’50/50′ at the New Church Museum

A review by Tymon Smith

An important departure for a real conversation: Zanele Muholi’s ‘Somnyama Ngonyama’

A review by Mary Corrigall

The Conundrums of Confessions: Johann Van Der Schijff’s ‘I to I’

Willem Boshoff Reap the Whirlwind 2015. Wood and farmer's sickles. 187 x 373 x 7 cm
A review by Isabella Kuijers

Word Woes: Willem Boshoff’s ‘Reap the Whirlwind’

Diane Victor The parable of the selfie and the self-perpetuating problem, 2015. Charcoal, pastel and ash on paper 100 x 151cm
A review by Lwandile Fikeni

A brief study in white suburban fears: Diane Victor’s ‘One Pound of Flesh’

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Dineo Sheshee Bopape, Chat-Scat. Screenprint on archival cotton rag paper, 66 x 50.5 cm

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