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Review

A review by Sinazo Chiya

Don’t Stop, Play: @play at Everard Read

A review by Kira Kemper

Brave, Resourceful and Current: newworkfifteen

A review by Mary Corrigall

Intersections in Germany: Colleen Alborough’s ‘Joburg’

A review by Thuli Gamedze

The Contradictions of Living in the Past: Lizza Littlewort at 99 Loop

Marlene Steyn, The End is Located Underneath Her Third Armpit (if the muscle is flexed), 2015. Installation view: Commune.1
A review by Anna Stielau

Somewhere between Where’s Wally? and the Kama Sutra: Marlene Steyn’s Interior Worlds

A review by Lwandile Fikeni

Senzo Shabangu: Joburg Blue Skies and Bright Lights

A review by

Chad Rossouw

Transparent Things: ‘Sightings’ at KZNSA

A review by Lwandile Fikeni

The Stains of History: Haroon Gunn-Salie’s ‘History After Apartheid’

Terence Nance, You and I and You, 2015. Single Channel video, Duration: 07 min 52 sec
A review by

Tim Leibbrandt

Both Uncanny and Marvellous: ‘Fantastic’ at Michaelis Galleries

Nicole Weniger, The Unknown, 2014
A review by Isabella Kuijers

Space Blankets and Selfie-Sticks: Nicole Weniger at Space Between

Moses Tladi, The House in Kensington BUndated,Oil on masonite
A review by Nkule Mabaso

A Special Exhibit of horror vacui : Moses Tladi at ISANG

A review by Same Mdluli

Jazz, Institutions and Relevance: Thomas’ ‘Young, Gifted and Black’

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William Kentridge, Act III scene 1, 2017. Linocut on paper with hand-colouring, 44 x 39.5cm

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