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Review

Suzanne Duncan/ Dale Washkansky, Leftovers , 2015. Animal bones, dimensions variable
A review by Thuli Gamedze

Whose ‘Death Speaks’?

A review by Lloyd Pollak

Colour, Blur, Memory: Kate Gottgens’ ‘Infinite Loop’

A review by Isabella Kuijers

Manuscript Truths: Adejoke Tugbiyele’s ‘Testimony’

A review by Lloyd Pollak

The Light of Revelation: Jan-Henri Booyens’ ‘Whiteout’

Elgin Rust, Trading Daisy, 2015, 16 pieces of cotton wood, 58 x 73 x 30 cm
A review by Thuli Gamedze

Tensions Between Art and Site: Joburg Fringe 2015

Cinga Samson and Andrew Gilbert at Blank Projects
A review by Annemi Conradie & Natasha Norman

Of Silver and Savages: Cinga Samson and Andrew Gilbert at Blank Projects

A review by Niklas Zimmer

How do we look? Vernacular photography in the art space

A review by Mary Corrigall

Precarious new paintings: Jonah Sack’s Column

Thando Mama, Desolation I-V [Film Still], 2015. 5 Channel video, duration variable
A review by

Tim Leibbrandt

A Mash-up of Deferred Reconciliation: Thando Mama’s ‘Of Nationhood/Desolation’

A review by Isabella Kuijers

Dreams of love and summer: Portia Zvavahera’s I Can Feel It In My Eyes

A review by Same Mdluli

Painting, digital imagery and text: Jessica Webster’s ‘Murderer’

Blessing Ngobeni, Untouchable (politician), 2015. Mixed media on canvas, 174 x 300 cm
A review by Isabella Kuijers

Blessing Ngobeni: Audacious Commentary on Punch and Judy Politics

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