Review
Colour, Blur, Memory: Kate Gottgens’ ‘Infinite Loop’
Manuscript Truths: Adejoke Tugbiyele’s ‘Testimony’
The Light of Revelation: Jan-Henri Booyens’ ‘Whiteout’
Tensions Between Art and Site: Joburg Fringe 2015
Of Silver and Savages: Cinga Samson and Andrew Gilbert at Blank Projects
How do we look? Vernacular photography in the art space
Precarious new paintings: Jonah Sack’s Column
A Mash-up of Deferred Reconciliation: Thando Mama’s ‘Of Nationhood/Desolation’
Dreams of love and summer: Portia Zvavahera’s I Can Feel It In My Eyes
Painting, digital imagery and text: Jessica Webster’s ‘Murderer’
Blessing Ngobeni: Audacious Commentary on Punch and Judy Politics
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